Her music often draws on sources from medieval history, as well as the traditional stories and music of her parents' homeland, Scotland. Julian Hepple. Antonio Daz Fernndez Everything about Miss Fortune is benign and comfortable - even Tom Pyes eye-catching geometric designs are thoroughly alienating, a garment sweatshop spotless and sanitised like the Royal Opera have re-deployed the spinning chorus from their last production of The Flying Dutchman. Composer Judith Weir tells the story to her latest opera Miss Fortune at a recent Insights event at the Royal Opera House. Plan your journey and find more route information in Your Visit or book your car parking space in advance. When the curtain rose on the UK premiere of Judith Weir's Miss Fortune at the Royal Opera House, one thing at least was clear: this bright, coarse staging by Shi-Zheng Chen would flog the living daylights out of the opera's frail, pale construct, inflate it grotesquely beyond its natural size and, by this eye-catching but totally irrelevant visual aeration, render it all but nonsensical. The orchestral music also seemed much bolder and more colourful under Dominic Wheeler's direction, and in the hands of GSMD's vivid student orchestra. The role in Bregenz was taken up by the Prague Philharmonic Chorus, who gave touching performances while mastering illogical-looking English spellings like "rough" and "tough". Written specifically for performance on American television in 1947, Gian Carlo MenottisoperaThe Telephoneis a romantic comedy in one act, written for just two singers and a hand-picked chamber ensemble of instrumentalists. Asked to fall to the ground in terror at news of an approaching financial disaster, they ask, "Like in Idomeneo?" Sad to say but Judith Weir's sixth opera is an embarrassment. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Noah Stewart as Hassan and Emma Bell as Tina in the Royal Opera's production of Judith Weir's Miss Fortune directed by Chen Shi-Zheng and conducted. [7] She was appointed for a decade. I was aiming to write an urban folk tale that reminded me of everyday life, colliding with the grandeur of opera. Indeed it has. This is a libretto which vacillates between the banal and the unintentionally comedic (or is that irony?) But I personally have been feeling thoroughly revived after GSMD's energy-giving version of my 2011 opera "Miss Fortune" which opened at the beginning of March. Based on a Sicilian folk tale, Miss Fortune has some of the elliptical angularity of Weir's successful A Night at the Chinese Opera (1987). Intimate reinvention: Guildhall School of Music & Drama reassesses Judith Weir's Miss Fortune in a double bill with Giancarlo Menotti's The Telephone, directed by Martin Lloyd-Evans, conducted by. woman.life.song. In the title role, Emma Bell does an admirable job of wrapping her voice around it all, without the audience ever getting a melody or a mood to remember. Secondly and crucially, Weir turns Fate into a very real and live person. Much of her music has been recorded, and is available on the NMC, Delphian and Signum labels. Frustration, frivolity and humour were all brilliantly served with a ready spontaneity that, with the chamber orchestras crisp playing, made this a delightful hors doeuvres for the darker humour of the evenings main event. Composed 2000. Mario Gutirrez Gorria, Viola Judith Weir's Miss Fortune at Covent Garden By David Karlin, 13 March 2012 There's usually plenty of hype surrounding a newly written opera performed at Covent Garden, but the carefully placed stories about Judith Weir's Miss Fortune are on the improbable end of the scale, featuring a flying kebab shop and a team of breakdancers. Published by Chester Music (HL.14035701). For Barbican performances, enter through the mainBarbican Centre entrance in Silk Street. In 2014 she was appointed . Commissioned by Bregenz Festival and the Royal Opera House and premiered in 2011, Miss Fortune is a contemporary re-telling of a Sicilian folk story. Voices & Orchestra. For Guildhall School performances please use the Guildhall School entrance on Silk Street. She went on to Cambridge University, where her composition teacher was Robin Holloway; and in 1975 attended summer school at Tanglewood, where she worked with Gunther Schuller. It was a co-commission between two big opera houses (Bregenz and the Royal Opera House) - and it will also have a new production in Santa Fe in a couple of years time. Judith Weir. Alice Warburton Paula Guerra Miss Fortune. As far as one could tell, Paul Daniel conducted a good performance. Our heroine is clad in a bright red dress - the Chinese colour for luck - which makes her a constant point of focus through the action. Indeed it has. It has been a hyperactive week for hubris, schadenfreude and any other not quite correctly used foreign words you care to scatter. Beat Erro Dez, Horn Everything about Miss Fortune is benign and comfortable even Tom Pyes eye-catching geometric designs are thoroughly alienating, a garment sweatshop spotless and sanitised like the Royal Opera have re-deployed the spinning chorus from their last production of The Flying Dutchman. Dominic Stokes* Silver Tassie Operas. Yn aml mae . She has been commissioned by the Boston Symphony Orchestra (Music Untangled and Natural History) the Minnesota Orchestra (The Welcome Arrival of Rain) and the London Sinfonietta (Tiger under the Table); and has written concert works for some notable singers, including Jane Manning, Jessye Norman, Dawn Upshaw, Alice Coote, Ailish Tynan and Ruby Hughes. [13] Gerhard R. Koch, writing in the Frankfurter Allgemeine newspaper on 25 July, had these observations: Miss Fortune moved to London in March 2012, garnering at least two negative reviews. Opera: Voices & Orchestra. Judith Weir's Miss Fortune is an entertaining night out. Judith Weir's most recent major work is her opera Miss Fortune, which received its first performances on July 21, 2011 at the Bregenz Festival, directed by Chen Shi-Zheng and designed by Tom Pye. R. 70. The score was published by Novello in 1982, and lasts under ten minutes, making it one of the shortest operas, and is possibly unique in having . The kebab shop and the breakdancers are great, but Tom Pyes sets have much more: giant, mirror-smooth geometric structures are brightly lit in primary colours and turned by video effects into a shifting industrial landscape, all set against a plain screen background lit with vividly coloured gradients. Vanishing . Julia Bermingham, Staff Costume Supervisors The Silk Street Theatre, Music Hall and Lecture Recital Room arelocated in the main Guildhall School building on Silk Streetand for Barbican produced events the venuecan also be accessed from the Barbican if you exit via the doors next to Barbican Kitchen on Level G. Address I loved the witty set (designer. 'Blond Eckbert' and 'Miss Fortune'. was born into a Scottish family in 1954, but grew up near London. Bass clarinet King Harald's Saga, Grand opera in three acts for unaccompanied solo soprano singing eight rles (based on the saga 'Heimskringla' by Snorri Sturlson, 1179-1241) is a monodrama by Judith Weir, commissioned by Jane Manning and premiered on 17 May 1979. It was a concept that worked well on paper, but the contrasting styles and libretti of Gian Carlo Menotti and Judith Weir one charming and unpretentious, the other angular and banal felt mismatched musically and made for an uneven night. Find the perfect Judith Weir stock photos and editorial news pictures from Getty Images. Julia Sanchez Merino Our privacy policy was last updated on Friday 31 January 2020, Reviewed at Royal Opera House, Covent Garden, London on 12 March 2012. WEI. Use tab to navigate through the menu items. Classical. Called Miss Fortune, the story is about money, fate and fortune. In: Press release from The Santa Fe Opera, 22 August 2012. In a stunning setting and scenery to rival these beautiful surroundings, Miss Fortune, the work of British composer Judith Weir, retraces the twisted steps of its bewildered female protagonist. Caroline Moores, Head of Recording & Audio Visual Join thought-provoking conversations, follow other Independent readers and see their replies. Christos Maltezos* Everyone is meaner, more downcast, more jubilant. Eva Gaidoni Right next to it was the ubiquitous fingers-crossed Lottery sign with its jaunty "Play here!" For more information visit their website, Hear music by Judith Weir online at Spotify. During this time she began to write a series of operas (including, As resident composer with the City of Birmingham Symphony Orchestra in the 1990s, she wrote several works for orchestra and chorus (including, In recent years, Judith Weir has considerably expanded her choral catalogue, with regular performance by choirs worldwide of music such as her Christmas carol. Despite the layoff since summer, the staging soon exuded a dance-like motion we hadn't seen before. Yn ogystal, mae'n gyfansoddwr o ddarnau cerddorfaol a lleisiol, gan gynnwys Concerto i'r Piano (1997), The Welcome Arrival of Rain (2001), ac In the Land of Uz (2017). 4 - Julia Kleitner, Royal Concertgebouw Orchestra/Gatti, A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD, ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON, Edward Seckerson talks to RENE FLEMING about The Light in the Piazza, A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies, A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope, A Conversation With VICTORIA WOOD: New TV drama, Loving Miss Hatto, A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentiers Medea, GRAMOPHONE Review: Shostakovich Symphony No. Judith Weir CBE (born 1954) is a British composer and the first female Master of the Queen's Music. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Lord Fortune - Alan Ewing. Manon Ogwen Parry 2010-2023 Bachtrack Ltd. All rights reserved. Queasy chromatic scales rising and falling in the trombones is as close as we get to the dark happenings on the street. [2] See something missing? After this she spent several years working in schools and adult education in rural southern England; followed by a period based in Scotland, teaching at Glasgow University and the Royal Conservatoire of Scotland. Judith Weir was born into a Scottish family in 1954, but grew up near London. DAME PATRICIA ROUTLEDGE: Facing The Music - A Life in Musical Theatre, Meyerbeer "Robert Le Diable", Royal Opera House (Review), GRAMOPHONE Review: Bartk Duke Bluebeard's Castle - Helsinki Philharmonic Orchestra/Mlkki, GRAMOPHONE Review: Prokofiev Symphonies 1 & 7/Lieutenant Kij Suite - Deutsches Symphonie-Orchester Berlin/Sokhiev, GRAMOPHONE Review: Mahler Symphony No. Judith Weir CBE (born 1954) [1] is a British composer and the first female Master of the Queen's Music. Each time her luck seems to take a turn for the better, she is beset by another misfortune until eventually, through a magical stroke of luck, she gains the hand of a prince, in town to collect his laundry. Even Fate (countertenor Andrew Watts), with his "cloud" of street dancers, is no more than a mildly creepy stalker. Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in, Find your bookmarks in your Independent Premium section, under my profile. Luna De Mol, Violin II Malena Benavent Its story talks about the difference betweeen being rich and poor, and I was criticised at the time for imagining that this would be a permissable subject for an opera. Giulia Lussoso Not entirely, and not so extravagantly and hopelessly. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. The banality of the text follows the banality of the narrative, and the music doesn't rise above it. Sad because Weirs folk inspired fables have won many friends, sad because she is a composerly composer whose luminous orchestral backdrops and singable vocal lines display an honest talent that never hides behind overworked technique. The upper floor of The Telephones split staging neatly morphed into Miss Fortunes roof top balcony where Harrison and Holyland made their mark as the nouveau riche parents of Tina. Is there another way?" We remain indifferent to Miss Fortune (however persuasively sung by a red-wigged Emma Bell), her vulgar nouveau parents who lose their riches, the sharp-suited romantic interest, Simon (the lovely Jacques Imbrailo). Weir, Judith. But this time round, it seemed even more relevant than to pay onstage attention to this subject. Christian Morris talks to Judith Weir, whose new opera Miss Fortune will receive its UK premire on 12th March at the Royal Opera House. In January 2008, over fifty of her works were performed during 'Telling The Tale', a three-day retrospective of her music, hosted by the BBC Symphony Orchestra at the Barbican Centre, London. or you can purchase and download online, The music of Judith Weir is published by Chester Music Ltd and Novello & Co Ltd, part of Wise Music Group. Tobias Campos Santinaque Meanwhile, the cast plunged into the nitty-gritty ("Four steps to the left, take the glass from Kathryn, turn "). It will help us make your newsletter content more useful. In places, where the orchestral score was particularly busy, some of the singing felt forced, with students pushing their voices beyond reasonable limits. Tina, their daughter Erin Gwyn Rossington (28 Feb & 4 Mar), Cleo Lee McGowan (2 & 7 Mar) Nonetheless, having written her own libretto as well as the music, she was easy prey. The evening began with a compelling staging of Menottis frothy score, a romantic two-hander with music somewhere between Broadway and Italian verismo and first performed in the UK at the Aldwych Theatre in 1948. Tell us a little about the opera. Judith Weir. In July 2014 Judith Weir was appointed to the 395-year old royal post of Master of the Queen's Music, in succession to Sir Peter Maxwell Davies. Judith Weir CBE is a British composer and Master of the Queen's Music. [13] Her first stage work, The Black Spider, was a one-act opera which was premiered in Canterbury in 1985 loosely based on the short novel of the same name by Jeremias Gotthelf. Please note you may need to update your password. Thus assured, they hurl themselves down with even greater animation. slogan. In 2007, she was the third recipient of the Queen's Medal for Music. A first performance of a new opera is the start of a precipitous journey. Phil Sizer, Staff Production Manager Sad to say but Judith Weirs sixth opera is an embarrassment. And the greatest irony of all Miss Fortune wins the lottery. Dominic Wheeler conductorMartin Lloyd-Evans directorAnna Reid designerAnthony Doran lighting designerJoseph Beesley assistant conductorRachel Wise assistant director/movement, Lucy England Segomotso Shupinyaneng (28 Feb & 4 Mar), Ellie Neate (2 & 7 Mar) 024 IN 2. Views: 5 180. Sad to say but Judith Weirs sixth opera is an embarrassment. Nicole Ma, Percussion Steven van der Linden Each time her luck seems to take a turn for the better, she is beset by another misfortune until eventually, through a magical stroke of luck, she gains the hand of a prince, in town to collect his laundry. Unlike in the first act, the music lets up on the never-ending tension (the strident voiceover of Fate is absent for Simon's aria), and several of the subsequent scenes are more enjoyable for it. [16], The first public performance of Weir's arrangement of "God Save the Queen" was performed at the reburial of King Richard III at Leicester Cathedral on 26 March 2015. She had taken a hiatus to focus her energies on a host of other endeavours including orchestral composition and leading the BBC's annual composer weekend at the Barbican in 2008. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Although she has achieved international recognition for her orchestral and chamber works, Weir is best known for her operas and theatrical works. She studied with John Tavener while at the North London Collegiate School[3] and subsequently with Robin Holloway at King's College, Cambridge, graduating in 1976. Hassan - Noah Stewart This is a libretto which vacillates between the banal and the unintentionally comedic (or is that irony?) One of these days someone might actually commission one of the many young composers at the sharp end of musical theatre - creative song writers with their finger on the pulse of contemporary living. Weir was born in Cambridge, England, to Scottish parents. Katie Wong, Production Assistants Are launderettes, kebab vans and bankers really the stuff of opera? A recording of this production will be available to watch online for free after the performances. Tina (Miss Fortune) - Emma Bell. If you dont harbour too many expectations of a thought-provoking story, its worth going to see for the staging alone. Lady Fortune - Kathryn Harries. Lydia Haynes In fact, I think you should go. Allegra Totaro-Wainwright, Assistant Scenic Artists But Miss Fortune is warm and fuzzy where it should be hard and edgy, its a social fable with contemporary resonances in everything but its words and music, and worst of all its an adult opera which sounds like its spoon feeding amateur philosophy to a child. Winter Song. Mae Weir wedi ysgrifennu sawl opera llwyddiannus, gan gynnwys The Black Spider (1985), A Night at the Chinese Opera (1987), Blond Eckbert (1994) a Miss Fortune (2011). Edward Seckerson in The Independent (London) wrote of "Miss Fortune in name and deed" and described the opera as "silly and naive" and "a waste of talent and resources", with a libretto that "vacillates between the banal and the unintentionally comedic (or is that irony? Hassan, a kebab seller Florian Panzieri (28 Feb & 4 Mar), Innocent Masuku (2 & 7 Mar) Silk Street Florian Panzieri as the kebab seller Hassan impressed with his clear tenor and mezzo-soprano Laura Fleur as Donna brought verisimilitude to her scenes at the laundrette. Enter your email address to receive notifications of new posts by email. In food terms this was a programme comprising starter and main course, a well-designed menu beginning with a romantic comedy and followed by a picaresque meditation on fate with much to nourish the ears, eyes and mind. [8] In May 2015, Weir won The Ivors Classical Music Award at the Ivor Novello Awards. Two days after this premiere, the Royal Opera House announced the 2012/2013 new season and defended contemporary work as adventure, not measured by normal standards of success. BBC Philharmonic/David, GRAMOPHONE Review: Shostakovich Symphony No 10, Mahler Symphony No 10 Hong Kong Philharmonic Orchestra/van Zweden, GRAMOPHONE Review: Mahler Symphony No. The second act has greater pace and vitality: the wise, witty Weir of old is back on form, but too briefly. It was a co-production with the Royal Opera, Covent Garden, London, and was written in English. ), full of truisms and clunky metaphors" and "about as streetwise as a visitor from Venus". But when the once wealthy Tina (a self-consciously red-headed but vocally resolute Emma Bell) turns on Fate (a wasted Andrew Watts) and halfway through this short and pointless evening enquires: Was it you who turned my life upside down? we know weve come precisely nowhere very fast. A new production of an earlier opera is always welcome news, to its composer at least, and it doesn't feel right to term these "revivals" - implying that resuscitation or even raising from the dead has been necessary. Alan Ewing as Lord Fortune, Emma Bell as Tina and Kathryn Harries as Lady Fortune in the Royal Opera's production of Judith Weir's Miss Fortune. In spite of all this, the libretto has some decent moments, particularly in the short second act in which Weir lets her hair down a little. Judith Weir is a composer who, despite a huge body of work that ranges from grand operas to piano concertos to songs for children, has never sought the limelight. Given the intimacy and physical support of the Linbury Studio (instead of the open wastes of the main auditorium) the work would at least have had a fair hearing, instead of becoming an object of near ridicule. The spare orchestration, full of scurrying chromatics, often glistening string writing and crisply atmospheric percussion, including piano, was potentially attractive and melodic, though its variety was mostly lost in the ROH auditorium. Most hurtle down the chute at once, all limbs flailing, and plunge straight into the wheelie bin of oblivion. . Oliver Mears' new production of Britten's chamber opera is a visceral reflection on tyranny and sexual violence. In collaboration with director Margaret Williams, Weir has created several opera films, including Scipios Dream, Hello Dolly, and Armida. The once-rich little heroine, dogged by cruel Fate,. Commissioned byBregenzFestival and the RoyalOperaHouse and premiered in 2011,Miss Fortuneis a contemporary re-telling of a Sicilian folk story. The most recent opera is Miss Fortune, premiered at Bregenz in . Get discounted access to unmissable art, See more art, music, film and theatre for less, Log in to access bookings, re-print pdf tickets, update email preferences and check out faster. Full marks on all fronts. I decided to use the tale as a basis for a new opera. Original reporting and incisive analysis, direct from the Guardian every morning, Unsolved problems: (l-r) Kathryn Harries, Alan Ewing and Emma Bell struggle to make an impression at Covent Garden. 559. Strahinja Mitrovic, Clarinet 1 / 3. Weir was appointed a Commander of the Order of the British Empire (CBE) in the 1995 Birthday Honours for services to music. The result is closer to a classical myth in which the central message is that theres no point arguing with the gods. We must question the ROH artistic management, perhaps caught in a transitional zone between the departure of Elaine Padmore and the arrival of Kasper Holten as director of opera. In 1987, her first half-length opera, A Night at the Chinese Opera, was premiered at Kent Opera. Miss Fortune (band), an American band Miss Fortune (album), a 2002 album by Allison Moorer Miss Fortune, an opera composed by Judith Weir "Miss Fortune", an episode of Ghost Whisperer "Miss Fortune", a song from the album Distance Inbetween by The Coral Miss Fortune, a character from the video game League of Legends See also [ edit] Next year, George Benjamin's commission Written on Skin will enter the fray and Harrison Birtwistle's The Minotaur a tale of loneliness with a furious but poetic score which was unquestionably a success is revived. Miss Fortune . a reference to Mozart's great scene where people on a beach are menaced by a sea monster. Yes, Tom Pye's design was beautiful, but stylised beyond the world of the circumstantial it could have accommodated any opera from Parsifal to Madama Butterfly. [12], Weir's musical language is fairly conservative, with a "knack of making simple musical ideas appear freshly mysterious". Edit Now. What drew you to composition? Both portrayals were wonderfully convincing musically and dramatically, each singer having an easy stage presence and voices that hold the ear with roundness of tone and crystal-clear diction. Silly and naive. Miku Yasukawa A chance lottery win enables her escape from poverty, and like all good fairy tales, she goes off into the sunset with the handsome prince, Jack Holton whose paean to a freshly laundered shirt made one of the few amusing moments. Its probably not a good idea to come to Miss Fortune looking either for deep meaning or for authentic folktale. My first pieces were at secondary school. Miss Fortune in name and deed. Above all, I felt justified in having written the opera in the first place. Location Stamatia Tsaroucha Ben Upthegrove Jonathan Eyers (28 Feb & 4 Mar), Jack Holton (2 & 7 Mar), Lord Fortune Jacob Harrison Age 14-25? MISS FORTUNE is a contemporary re-telling of a Sicilian folk story. The most recent opera is Miss Fortune, premiered at Bregenz in . Fate Kieron-Connor Valentine She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Presented byGuildhall School of Music & Drama. 10 Orchestre National du Capitole de Toulouse/Sokhiev, GRAMOPHONE Review: Sounds of America Jon Manasse, Park Avenue Chamber Orchestra/Bernard, GRAMOPHONE Review: Rachmaninov Symphony No. Despite the lively productions and well-defined characterisations, I was disappointed by the poor diction and overbearing orchestral support in Miss Fortune. Lisette Oropesa leads strong vocal performances in Handel's madcap tale of love and sorcery. Night AT the Chinese Opera (A) (1987) Operas. JUDITH WEIR AT 70 OPERAS. As Miss Fortune sings of entering the "shadows" and "dark streets" of the real world, she's set upon by six representatives of this rough shadowy place, a gang of bopping black thugs, who go on to destroy the factory she's working for and torch a kebab van she finds herself taking shelter in. Joana Praa* Miss Fortune in name and deed. Silk Street Theatre, Guildhall School of Music & Drama, London; Monday 28th February 2022. Only Anne-Marie Owens's Donna, who runs a launderette, and Hassan the kebab-van owner, beautifully sung by Noah Stewart (the closest we get to beefcake), show signs of humanity. In 2008, as I began writing, I walked past a sandwich board bearing the headline: "Blind panic as shares crash." Memoirs of an Accidental Film Artist. At least that was Weirs intention - to be relevant and in touch. Expressive of face and voice this champagne-quaffing pair fulfilled their roles with suitable vulgarity. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Aina Miyagi Magnell From 1995 to 2000, she was Artistic Director of the Spitalfields Festival in London. Popularly known as the Musician of United Kingdom. Judith Weir - Miss Fortune [Achterbahn] (2011) - YouTube 0:00 / 1:23:43 Judith Weir - Miss Fortune [Achterbahn] (2011) 2,550 views Oct 17, 2015 Digital broadcast from BBC Radio 3 .more. David Karlin reviews the premire of Judith Weir's new opera Miss Fortune at the Royal Opera House, Covent Garden Nuestra poltica de privacidad se actualiz por ltima vez el viernes 31 enero 2020 Consultar aqu Eliminar Former Culture Secretary says he would 'rather be thrown into a pit of scorpions' than listen to one of Judith Weir's operas; . Years ago, I read an Italian folk tale about a princess who, when her parents lose their money, is forced to live in poverty and make a living: weaving cloth, minding a wine store, washing clothes. Charlie Broad A short 90 minutes of music later, Im still not entirely sure what it is Ive just seen. She has composed Concertos for Piano (William Howard) and Oboe (Celia Craig). She went on to Cambridge University, where her composition teacher was Robin Holloway; and in 1975 attended summer school at Tanglewood, where she worked with Gunther Schuller.
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