[95], Armstrong was colorful and charismatic. Meanwhile, his longtime manager Joe Glaser died. Above all else, his swing-style trumpet playing influenced virtually all jazz horn players who followed him, and the swing and rhythmic suppleness of his vocal style were important influences on singers from Billie Holiday to Bing Crosby. His version of the song became his biggest selling record yet.[62]. [108] In a live recording of "Baby, It's Cold Outside" with Velma Middleton, he changes the lyric from "Put another record on while I pour" to "Take some Swiss Kriss while I pour". He performed a duet of "When the Saints Go Marching In" with Danny Kaye during which Kaye impersonated Armstrong. Please refer to the appropriate style manual or other sources if you have any questions. [115], Armstrong's gregariousness extended to writing. Morgenstern, Dan, and Sheldon Meyer (2004). During the concert, Armstrong and Teagarden performed a duet on Hoagy Carmichael's "Rockin' Chair" they then recorded for Okeh Records. In his last years ill health curtailed his trumpet playing, but he continued as a singer. Louis Armstrong - Wikipedia On January 24, 1930, the era of sweet bands seems to have officially opened with "Song of the Islands," garnished with three violins and vibraphone played by Paul Barbarin while the band's valet sat in on the drums. One of his most remarkable feats was his frequent conquest of the popular market with recordings that thinly disguised authentic jazz with Armstrongs contagious humour. Armstrong had a hard start in his life. [127] In 1947, he played himself in the movie New Orleans opposite Billie Holiday, which chronicled the demise of the Storyville district and the ensuing exodus of musicians from New Orleans to Chicago. In most of Armstrongs movie, radio, and television appearances, he was featured as a good-humoured entertainer. Louis Armstrong was present and loved the song. Excited as he was to be in Chicago, he began his career-long pastime of writing letters to friends in New Orleans. Armstrong's manager, Joe Glaser, changed the Armstrong big band on August 13, 1947 into a six-piece traditional jazz group featuring Armstrong with (initially) Teagarden, Earl Hines and other top swing and Dixieland musicians, most of whom were previously leaders of big bands. Through the next four decades, he would continue to reinvent himself. This article is spelling it with two "f"s based on Bergreen (1998). Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. By the early 1930s, Louis Armstrong had already revolutionized jazz. His autobiography vexed some biographers and historians because he had a habit of telling tales, particularly about his early childhood when he was less scrutinized, and his embellishments lack consistency. There he learned to play thecornetin a band, and playingmusicquickly became a passion. Let us know if you have suggestions to improve this article (requires login). Full name, Daniel Louis Armstrong; nickname, " Satchmo "; born July 4, 1900, in New Orleans, Louisiana; died July 6, 1971, in Long Island, New York; son of Willie (a turpentine worker) and Mary Ann (a domestic servant) Armstrong; married Daisy Parker (divorced, 1917); married Lilian Hardin (a jazz pianist), February 5, 1924 (divorced, 1932); mar. is one of his most recognizable performances. He traveled with the band of Fate Marable, which toured on the steamboat Sidney with the Streckfus Steamers line up and down the Mississippi River. From a New Orleans boys home to Hollywood, Carnegie Hall and television, the tale of Louis Armstrongs life and triumphant six-decade career epitomizes the American success story. His popularity brought together many black and white audiences. His solo recording of "Hello, Dolly!" "We Have All the Time in the World" was featured on the soundtrack of the James Bond film On Her Majesty's Secret Service, and enjoyed renewed popularity in the UK in 1994 when it was featured on a Guinness advertisement. [149], The house where Armstrong lived for almost 28 years was declared a National Historic Landmark in 1977 and is now a museum. Less than a year and a half later, they had a daughter, Beatrice "Mama Lucy" Armstrong (19031987), who was raised by Albert. Even special musicians like Duke Ellington have praised Armstrong through strong testimonials. An album of the same title was quickly created around the song, and also shot to number one, knocking The Beatles off the top of the chart. Nothing could possibly do more harm to such a great artist. [131], Against his doctor's advice, Armstrong played a two-week engagement in March 1971 at the Waldorf-Astoria's Empire Room. [117] During the krewe's 1949 Mardi Gras parade, Armstrong presided as King of the Zulu Social Aid & Pleasure Club, for which he was featured on the cover of Time magazine. Musicians everywhere soon began to imitate his style, and Armstrong himself became a star attraction. The 1950s proved to be a regeneration for Armstrong as both a musician and a public figure. Knowing he lived without a father, they fed and nurtured him. His influence on Henderson's tenor sax soloist, Coleman Hawkins, can be judged by listening to the records made by the band during this period.[42][43]. On February 4, 1924, he married Lil Hardin Armstrong, King Oliver's pianist. In 1968, Armstrong scored one last popular hit in the UK with "What a Wonderful World", which topped the British charts for a month. Such records were hits and scat singing became a major part of his performances. In a memoir written for Robert Goffin between 1943 and 1944, Armstrong stated, "All white folks call me Louie," suggesting that he himself did not, or that no whites addressed him by one of his nicknames such as Pops. From a New Orleans boys home to Hollywood, Carnegie Hall, and television, the tale of Louis Armstrongs life and triumphant six-decade career epitomizes the American success story. "[71] He called bebop "Chinese music". La vie en rose Louis Armstrong - La Vie En Rose (1950) [Digitally Remastered] Obviously, Edith Piaf's version of this stunning French song is the standard, but several American stars had hits with it. Faubus", "Rare Footage of Duke Ellington Highlights When Jazz and Baseball Were in Perfect Harmony", "NPR's Jazz Profiles from NPR: Louis Armstrong: The Singer", "Louis Armstrong's Secret Lessons From Judaism", "High Society (1956) High Society Calpyso", "Louis Armstrong, Jazz Trumpeter and Singer, Dies", "Louis Armstrong Dies: 1971 Year in Review", "Experience The Music: One Hit Wonders and The Songs That Shaped Rock and Roll", "At Home with Harold Bloom: (3) The Jazz Bridge", You Won't Be Satisfied (Until You Break My Heart), The Complete Ella Fitzgerald & Louis Armstrong on Verve. from the live album In Scandinavia vol.1. Louis Armstrong - Body And Soul - Los Angeles, 09.10. 1930 Long before this, however, Armstrong was playing around with his vocals, shortening and lengthening phrases, interjecting improvisations, using his voice as creatively as his trumpet. He switched to the trumpet to blend in better with the other musicians in his section. His trumpet playing revolutionized the world of music, and he became one of our centurys most recognized and best loved entertainers. Mary Albert was from Boutte, Louisiana, and gave birth at home when she was about sixteen. His beautiful tone and gift for bravura solos ending in high-note climaxes led to such masterworks as his recordings of Thats My Home, Body and Soul, and Star Dust.. he husked. He was able to access the upper echelons of American society at a time when this was difficult for black men. By the end of Armstrong's life, his influence had spread to popular music in general. At the same time, however, his oeuvre includes many original melodies, creative leaps, and relaxed or driving rhythms. He began scat singing (improvised vocal jazz using nonsensical words) and was among the first to record it, on the Hot Five recording "Heebie Jeebies" in 1926. [88] His marriage to Parker ended when they separated in 1923. To Really Appreciate Louis Armstrong's Trumpet, You Gotta Play it. Just [39], Lil Hardin, who Armstrong would marry in 1924, urged Armstrong to seek more prominent billing and develop his style apart from the influence of Oliver. "[15] Curiously, Armstrong quotes lyrics for it that appear to be the same as the "Russian Lullaby", copyrighted by Irving Berlin in 1927, about twenty years after Armstrong remembered singing it as a child. In and out of the home throughout his teenage years, Armstrong was taken under the wing of Peter Davis, who taught music there. Many younger black musicians criticized Armstrong for playing in front of segregated audiences and for not taking a stronger stand in the American civil rights movement. The uniquely gravelly coloration of his voice became an archetype that was endlessly imitated. In 1999 Armstrong was nominated for inclusion in the American Film Institute's 100 Years 100 Stars.[141]. [30], He briefly studied shipping management at the local community college, but was forced to quit after being unable to afford the fees. Biography of Louis Armstrong, Trumpeter and Entertainer - ThoughtCo [25] Life at the home was spartan. He retained vestiges of the style in such masterpieces as Hotter than That, Struttin with Some Barbecue, Wild Man Blues, and Potato Head Blues but largely abandoned it while accompanied by pianist Earl Hines (West End Blues and Weather Bird). The nickname origin is uncertain. Louis Armstrong: The First Great Jazz Soloist - Smithsonian Music However, he did criticize President Eisenhower for not acting forcefully enough on civil rights. Though adamant that these claims were unjust, Armstrong was then in his 60s and primarily concerned with continuing to travel and perform. This smaller group was called Louis Armstrong and His All Stars and included at various times Earl "Fatha" Hines, Barney Bigard, Edmond Hall, Jack Teagarden, Trummy Young, Arvell Shaw, Billy Kyle, Marty Napoleon, Big Sid "Buddy" Catlett, Cozy Cole, Tyree Glenn, Barrett Deems, Mort Herbert, Joe Darensbourg, Eddie Shu, Joe Muranyi and percussionist Danny Barcelona. He left the Waifs Home in 1914, and began to play the cornet around New Orleans. Armstrong did, thinking the track would be discarded, but that was the version that was pressed to disc, sold, and became an unexpected hit. During this time he abandoned the often blues-based original material of his earlier years for a remarkably fine choice of popular songs by such noted composers as Hoagy Carmichael, Irving Berlin, and Duke Ellington. In 2002, the Louis Armstrong's Hot Five and Hot Seven recordings (19251928) were preserved in the United States National Recording Registry, a registry of recordings selected yearly by the National Recording Preservation Board for preservation in the National Recording Registry of the Library of Congress. Armstrongs autobiographies included Swing That Music (1936) and Satchmo: My Life in New Orleans (1954). There he found out she had a common-law husband. Elliot Hurwitt et al., in Cary D. Wintz and Paul Finkelman, eds., Satchmo.net. He nonetheless made his greatest impact on the evolution of jazz itself, which at the start of his career was popularly considered to be little more than a novelty. In the 1930s, Louis Armstrong was sittin' on top of the world.
Kenda Bear Claw Htr 27x11x12,
Bootstrap 12 Column Grid,
Jcb Global Learningcorporate Office,
Affiliate Network Sites,
Ladies Tweed Suits Sale,
Articles L