It is a matter of a position in society and an umbrella term for communities that experience marginalisation due to racism. A white woman, on the other hand, experiences sexism too but benefits from her white privileges. His most common subjects were femme fatale figures, some from Biblical sources, such as modernised versions of Judith, Delilah and Salome, mythological creatures such as Harpies or more contemporary and urban figures, such as his towering and dominant bourgeoise woman in Woman of Fashion and Jockey. 124.3 135.3cm Most of us would casually associate the term with the slinky, blonde-capped characters in 1940s American film noirthink Barbara Stanwyck or Rita Hayworthor perhaps further back with the sultry vamps of the silent-movie era. Whether in film, advertising, in novels, on the street, at school, during training or at university: the male gaze is omnipresent. An ableist society adopts a healthy body as the norm and sees all others as (negative) aberrations. Self-portraiture and self-presentation, especially in the medium of photography, takes on a particular significance in the creation of self-empowering images of ones own body. Gaze - Power - Gender An exhibition at Hamburger Kunsthalle (9 December 2022 until 10 April 2023) This accompanying glossary is a cooperation between Missy Magazine and Hamburger Kunsthalle. 151.2 x 212cm Courtesy Privatsammlung Saskia Draxler und Christian Nagel To have a female gaze, we would have to live in matriarchy. Cont pen and coloured pencil on paper The term is derived from the English word able and denotes discrimination based on physical abilities. Salammb Mammen is a very independent artist who brought together many spheres of influence in her work and had important teachers in Brussels in Jean Delville and Fernand Khnopff, both of whom are represented in our exhibition. What a fascinating and inspired concept for an exhibition! Clemens Brentano laid the foundation for the legend of Lorelei with his balladZu Bacharach am Rheine, written in 1801. Femme fatale: The images that reveal male fears - BBC Culture CC BY-SA 4.0. The background is a coarse kind of green, repulsive and abominable., Dante Gabriel Rossetti (British, London 1828 1882 Birchington-on-Sea) Gaze Power Gender at the Hamburger Kunsthalle. Hamburger Kunsthalle r ett stort konstmuseum som specialiserat sig p europeiska mlningar frn Tyskland och drefter. There would appear to be no getting over the maleness of these Victorian-era paintings, particularly as they proceed onward through the idealised neo-Medieval visions of the early Pre-Raphaelite Brotherhood to the overtly erotic late-century images of John Colliers Lilith (1889)in which the naked biblical figure is swathed in a giant snakeand John William Waterhouses Circe Offering the Cup to Ulysses (1891). Unfortunately, as a woman who was sexually independent, she evidently did not have a good image among the patriarchy, for she was said to bring sickness and death, to seduce and kill men, be infertile and kill newborn babies with the poisonous milk from her breast. In postcolonial and queer feminist position, playing with fragments of the femme fatale image, opens up entirely new approaches to our topic.. Racism can take on many forms for example anti- Muslim, anti-Black, or anti-Asian racism, that particularly targets these groups. Hamburger Kunsthalle Glockengieerwall 5 20095 Hamburg Tel.+49(0)40-428131-200 1940) In Carl Strathmanns almost humorously exaggerated depiction of the Head of Medusa, on the other hand, Medusas petrifying gaze is no longer intended to shock the viewer. A mans power is thus always paramount, though emotions are denied to men. Jai bais ta bouche Iokanaan 1992 Many women experience obtrusive looks, being whistled at or hearing disrespectful comments about their appearance on the streets every day. Women are omnipresent in his compositions, appearing in a variety of roles and stereotypical depictions; at the same time, they are inseparably linked to the artists personal experience of life and love. Her explicit renderings of the human body draw heavily from the artists travels and from Japanese woodcuts, Greek vases, and visual motifs from Eastern religions, including Tibetan Buddhism, Indian Tantrism, and Christian ecstatic traditions like those of the seventeenth-century Baroque. Authors: Sonja Eismann, Josephine Papke This new wave of artists found inspiration in painters such as Van Gogh and Matisse but also drew from writers such as Rimbaud, Baudelaire, and the Symbolists, together with the philosophy of Nietzsche and Freudian psychology. 1891 The male gaze refers to the concept of a predominant masculine perspective; it represents the systematic use of male control in our society and its impact on us. Courtesy Kunkel Fine Art, Munchen It attempts to avert the overarching male gaze by facing it head on with the artists own actions and choices. Current feminist artists no longer have to fight the image of the femme fatale but can re-appropriate and re-use it, Bertsch says. Nan Goldins photographs show drag queens appropriating iconic figures who have long been stylised as femmes fatales, such as Marilyn Monroe or Madonna. Dr. Carsten Brosda, Senator fr Kultur und Medien: Das Frauenbild der Femme fatale zeigt, wie sehr die Kunstwelt ber lange Zeit vom mnnlichen Blick dominiert war. How are power and gaze relationships reversed here? Since the first appearance of Madonna portraits from the second century onwards, the Mother of God has been painted as an absolute symbol of a pure, innocent and self-sacrificing femininity, typically one including and suggesting motherliness. What role does it still play today? Who do you think of first? Though these paintings are the subject of most present day exhibitions, scholarly articles and books on the artist, they were not released to the public until after Mossas death in 1971. Thefemme fatale is a myth, a projection, a construction. The exhibition is accompanied by a particularlyextensive art education programme: In addition to a diverse range ofguided toursincludinglivestreams of curator talks,achatbot modulewill debut that lets visitors enter into a dialogue with sixfemme fatalefigures from the art-works on view. To investigate the constellations of gaze, power and gender that are constitutive for the image of thefemme fataleand its transformations over time, the exhibition has assembled around 200 exhibits spanning a broad range of media and periods. Dr Marcus Bunyan is an Australian artist and writer. It is vital to us that this should not be done in a backward-looking and passive way but in a manner that promotes dialogue and focuses on issues that are relevant to todays society. Aubrey Beardsleys illustrations after Oscar Wildes play Salome(1893) were highly influential; while these also contained some vividly macabre motifs, the unmistakable ornamental aesthetic of defined lines and flat spatial planes made them appear less frightening. All rights reserved. It represents the identity and politics of Black cultures according to their beliefs, experiences and values. With this exhibition and the diverse supporting programme, the Kunsthalle is once again underscoring its aim to address issues that our relevant to our society., Dr. Ekkehard Nmann, Chairman of the Board of the Freunde der Kunsthalle e.V. Bildergalerie Die Erscheinungsformen eines unheilbringenden Mythos Head of Medusa Mnner- wie Frauenbilder waren und sind vielfltig. In the period around 1900, the image of thefemme fatalewas increasingly projected onto real people. They are as much an expression of his fears as of his self-stylisation as a victim and once again reveal Munchs image of the femme fataleto be a misogynistic projection. But as part of an intersectional consideration of feminism, queer, PoC, trans and many more feminist voices have gained influence in recent decades. Yes, Oskar Kokoschka went particularly far with his admiration for Alma Mahler. FEMME FATALE From December 9, 2022, the exhibition "Femme Fatale" at the Hamburger Kunsthalle is dedicated to a critical examination of the image of the sensual-erotic woman, which is dominated by male and binary gaze orders, who plunges men into misfortune. 1863 Markus Bertsch heads the 19th Century Collection at the Hamburger Kunsthalle and is curator. The French sculptor Auguste Rodin also portrayed a femme fatale figure but was evidently using this theme as a justification for an explicit nude. Auf ihrem Kopf winden sich giftige Schlangen und, wer in ihre Augen blickt, erstarrt zu Stein. A binary gender system assumes that there are only men and women, and that everyone must belong to one of these two categories. In Jewish feminist theology, however, she stands for wisdom and strength because she was the first being to convince God to tell her his name granting her unlimited power. Adam und Eva, der verbotene Apfel. Judith and Holofernes A heteronormative society divides people into the binary categories of men and women, values men as more important and tends to be hostile towards queerness. Carl Strathmann (11 September 1866, Dsseldorf 29 July 1939, Munich) was a German painter in the Art Nouveau and Symbolist styles. Ruth Stamm is project assistant for the exhibition Femme Fatale: Gaze Power Gender. Der Aufbau unserer Ausstellung FEMME FATALE. bpk / Museum der bildenden Knste, Leipzig / Ursula Gerstenberger. A free companion booklet, produced in collaboration with Missy Magazine, opens up intersectional and (queer) feminist perspectives on the show. Hamburger Kunsthalle dedicates an exhibition to the stereotype of the Stiftung Stadtmuseum Berlin, Jeanne Mammen Stiftung The Orient finds itself on the other side, depicted by the West as backward and unmodern, yet at the same time as exotic and sensual. Das Stereotyp der erotisch-verfhrerischen und begehrenswerten Frau, die Mnner in ihren Bann, aber letztendlich auch in ihr Unglck zieht, war lange von mnnlichen Blickmustern und einem binren Verstndnis von Geschlecht geprgt. De Morgan boycotted the Royal Academy and signed the Declaration in Favour of Womens Suffrage in 1889. Existential questions and universal themes such as life, death, love, loss and grief are central to Munchs art. Its a matter of choice: whether its a long or short skirt, bra or not everyone decides for themselves. Kunstsammlung Zull, Sankt Augustin, Gerda Wegener (Danish, 1886-1940) She was educated in Paris and Brussels. In the required non-binary form of society which would be interested in the equality of the different this form of exercising power would not even exist. The Masked Woman These are often performed by queer men. Aubrey Beardsley (British, 1872-1898) Reproduction: Mathias Schormann. Nan Goldin. Mammen dealt productively with this symbolist heritage, but created independent, deviating images of masculinity and, above all, of femininity. Kallmus and Benda quickly made a name for themselves and soon supplied the most important magazines. political practice against social injustice. Salammb Expressionists believed the artist should utilise what he perceives with his innermost senses, it is the expression of his being; all that is transitory for him is only a symbolic image; his own life is his most important consideration. Lilith is an 1889 painting by English artist John Collier, who worked in the style of the Pre-Raphaelite Brotherhood.

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